LINKED

LINKED

In 2023 – 24 we hosted 12 open days for audiences to experience the audio trail.

We are currently working to build a system to make LINKED available in 2025 and beyond.

Open days hosted at Leytonstone & Wanstead Libraries in 2023-2024:

14 September
11 July

6 July
22 June
23 June
19 May
18 May
21 April
20 April
17 February
20 January & 25 November: Radical Landscapes offsite commission, part of Morris Gallery programme

Talks:
7 November: London College of Communications

28 October: guided walk, London College of Communications

17 September: Leytonstone walking group for over 60s

11 July: screening & talk at Filly Brook, Leytonstone

18 May: Sound Table participatory conversation at Leytonstone Library

31 January: a talk at Morris Gallery: Abel Holsborough, Zaiba Jabbar, Graeme Miller, Hadrian Garrard

 

 

 

 

 

 

 

 

 

 



Commissioned by the Museum of London and launched in 2003, LINKED is a radio installation installed on lampposts across 3 miles of East London. It is an artistic response to the creation of the M11 Link Rd in the 1990s which involved the demolition of over 400 building, including my own home, amid dramatic and passionate protest.

Now in its 20th anniversary year, LINKED is fully technically restored and made available to the public again as a free audio trail.

Along a route between Hackney Marshes and Redbridge Roundabout (adjacent to the Link Rd) analogue radio transmitters reveal the voices and stories of 60 people who once lived and worked in the area – families, road protestors, railway-workers, teachers, disco-goers, and artists from the substantial community living in houses destroyed by the road – among them Cornelia Parker, John Smith, Christine Binnie and Ian Bourn. Together the assembly of voices evokes a fascinating and moving cross-section of East London life.

LINKED has endured as perhaps the largest sonic installation and sculptural entity in London for 20 years, broadcasting over a million times the voices and stories of people who lived or worked in the area impacted by the road. 

CREDITS

LINKED was originally commissioned by the Museum of London in 2003 and produced by Mark Godber, Judith Knight and Gill Lloyd of Artsadmin. The making of LINKED was generously supported by Arts Council England (ACE), Heritage Lottery Fund, London Boroughs Grants Committee part of the Association of London Government, Calouste Gulbenkian Foundation and the London Boroughs of Redbridge and Waltham Forest. The restoration of LINKED (2022 – 2024) is supported by ACE.

With thanks to all the many interviewees, production teams and friends involved in developing LINKED and to the researchers who developed the interview content for LINKED (2003): Lucy Cash, Myra Heller, Dan Saul, Michael Sherin, Helen Statman. Original technical design by Simon Beer of Integrated Circles.

Production (2023/24): Steve Wald, Mike Harrison, Lydia Newman, Chris Warner, Lou Doyle
Executive Producer: Nikki Tomlinson

 

More about LINKED

LINKED was intended to remain unseen, an almost secret layer of the geography of the communities where it transmits. It is in perpetual dialogue with the walker/listener who animates the work with their attention, finding their own narratives and in this sense, it is a social sculpture intended for a dynamic and changing area.

The transmitters broadcast on a single frequency and with a receiver the walker is able to navigate the neighbourhoods adjacent to the motorway, finding pools of sound that relate to the specific locations.

Over the passage of time this work about the politics and poetry of place has come to reflect issues relating to community, environment and protest and the impact of sudden, top-down developments on people and place.

5min video about LINKED by Dan Saul

Listen to audio excerpts

Read 2003 Catalogue Essay THE ARITHMETIC of BELIEF by Alan Read

Comet in Moominland

Comet in Moominland

Released on Finders Keepers Records, Graeme Miller’s new score for the Film Polski, “fuzzy felt” Moomins follows the adventures of the Moomins as they struggle to deal with apocalyptic events. This adds to the collection of releases on the label of the original TV themes by Graeme Miller and Steve Shill. The score was performed live-to-picture in 2017-18  by Graeme Miller and Jamie Telford at UK venues including Blue Dot Festival, Festival Number 6, Dulwich Picture Gallery and Royal Albert Hall.

 

CAT PRINT

CAT PRINT

A player-piano replays a recording of a cat that walked across the keys 30 years ago. The piece illuminates the death and revivification inherent in all mechanical recording. As the keys visibly repeat the act of being depressed, they reveal the imprint of the live body and follow the negative space of the creature. As with the piano rolls that recoded Rachmaninov playing his own music in 1919, the observer is attending a kind of séance and the random, spontaneous, and unrepeatable elements are extrapolated back to the player and composer as a kind of signature of presence and authenticity.  In Cat Print, the same is true although it is composed (almost) entirely accidentally.

CAT PRINT was shown in the group sound-art show at Stephen Lawrence Gallery, Greenwich, not necessarily in the right order Feb – April 2023

VIDEO CAT PRINT

Lost Chord

LOST CHORD

Lost Chord is a social musical work currently being researched. Sets of organ pipes are carried through the landscape, each pipe resonating with its own voice. It is a relational work at both a sonic and human level with the drift of travel, the constraints of landscape, the labour of the task and the collective process of the group all determining the nature of an unrepeatable band of sound. The work exploits the psychoacoustic effect of the drone on the carrier and the observer alike and inevitably, while taking place in the secular world, has magical and religious resonances.

 Lost Chord is supported by Arts Council England

VIDEO LOST CHORD STUDIO

Re-LINK

Re-LINK

Hear/walk LINKED: Green Man Roundabout Leytonstone
September 2022

Sound Table: The Hall, Leytonstone Library
September 2022

 

For 48 hours Graeme Miller’s seminal radio installation, LINKED will live again. Arguably the largest sculptural entity in the capital, it is comprised of 20 analogue radio transmitters that stretch for 3 miles along the edges of the M11 Link Road in East London marking and re-building the 500 houses demolished for the road. It opened in 2003 as a semi-permanent installation and as part of the collection of the Museum of London.

The transmitters broadcast on a single frequency and with a receiver the walker is able to navigate the neighbourhoods adjacent to the motorway finding pools of sound that relate to the specific locations. Each surviving transmitter has now broadcast more than a million times where the voices of former residents describe and revive the lost spaces. Over 19 years this work about the politics and poetry of place has become increasingly about time itself and the transmitters themselves have suffered its effects making LINKED an almost secret and cult work.

Re-LINK, the first of an annual series of such gatherings, invites the public to collect a receiver and discover the work fully restored. It is a chance for those who know the work to experience it again and for lost narratives to be heard once more. In the afternoon of Saturday 24th in the art deco hall of Leytonstone Library a Sound Table, a rolling studio dialogue will invite a changing mix of former residents, writers, artists, activists, interviewers, interviewees and passers-by to hear each other and consider the themes and shifting meanings of this public work.

Re-LINK is part of Sound Walk September

VIDEO Re-LINK STUDIO