| 2022 | FLAG sound design for Cornelia Parker’s new film for Tate Britain show |
| 2022 | UNDER BRIGHT LIGHT score for Forced Entertainment’s new stage work |
| 2021 | SOUNDING THE VOICE editing, composition, sound design audio work by Andrea Luka Zimmerman |
| 2021 | THE CARRIER FREQUENCY LP soundtrack of 1984 stage work by Impact Theatre Cooperative and Russel Hoban |
| 2019 | SHAME of SHANE music for Tim Etchells audiobook version of story from Endland (2019) |
| 2019 | ON AKKA’S SHORE Umama Hamido, film sound design |
| 2018 | CONTAGION score for dance. Shobana Jeyasingh Dance Company |
| 2018 | LEFT RIGHT and CENTRE sound design for Cornelia Parker’s film as election artist |
| 2017 | BRIGHSTONE 428 Radio work for BBC Radio 3 Between the Ears. A cultural history of the landline |
| 2015 | LIQUID GOLD IS THE AIR Sound composition. Film installation Rosemary Lee/Roswitha Chesher |
| 2013 | WITHOUT composed sound for multi-screen installation by Rosemary Lee |
| 2013 May | BEST BEFORE END composition Curious |
| 2011 Aug | SLIPSTREAMING – composition for performance for Curious RSC Stratford-upon-Avon |
| 2010 Jan | SEA SWALLOW’D film dir Andrew Kotting/Curious compostion |
| 2009 Nov | THE MOMENT I SAW YOU I KNEW I COULD LOVE YOU, Curious Chelsea Theatre, London. Composition. |
